{"id":446820,"date":"2019-03-07T17:20:57","date_gmt":"2019-03-07T17:20:57","guid":{"rendered":"http:\/\/www.moldova.org\/en\/?p=446820"},"modified":"2019-03-07T18:06:06","modified_gmt":"2019-03-07T18:06:06","slug":"stories-diaspora-marcel-lazar-pianist-tries-revive-classical-music-republic-moldova","status":"publish","type":"post","link":"https:\/\/www.moldova.org\/en\/stories-diaspora-marcel-lazar-pianist-tries-revive-classical-music-republic-moldova\/","title":{"rendered":"Stories from diaspora\/\/ Marcel Laz\u0103r \u2013 the pianist who tries to revive classical music in the Republic of Moldova"},"content":{"rendered":"Reading Time: <\/span> 6<\/span> minutes<\/span><\/span>

Marcel Laz\u0103r is a talented musician, a romantic soul and a tenacious person that is continuously seeking for development. He never chose the easiest way, in fact, there is no easy way when making music, as he affirms.<\/p>\n

About growing up with music<\/h3>\n

Marcel has been playing piano since the age of 7, when his first piano was bought by his parents. Then, he decided to take music seriously and, at the age of 13, he went to the School of Music \u201cCiprian Porumbescu\u201d in Chi\u0219in\u0103u, Moldova. Afterwards, he studied at the Academy of Music \u201cGheorghe Dima\u201d from Cluj-Napoca, Romania, and at the University of Music and Dramatic Arts Mozarteum in Salzburg, Austria. Marcel sees it as a journey: \u201cFrom one step to another you get deeper into studying music and infiltrate more into its philosophy. Music is such a mystical and subjective art. The more musicians I meet and more ideas and opinions I hear, the more questions I ask myself, for which, in the end, I hope to get an answer<\/em>.\u201d<\/p>\n

\"\"<\/p>\n

Marcel thinks that music has no borders. It is a universal language used and understood by any individual in this world. \u201cIt is said that every second, somewhere in the world a Mozart composition is played. Even tribes in Africa make music. It is different from that in the Western world, but it is certainly music as well.\u201d<\/em><\/p>\n

About being a musician in Moldova<\/h3>\n

Our protagonist says there is a long path from Vienna to Chi\u0219in\u0103u and he doesn\u2019t refer to the geographical distance. \u201cI think the music listened to in every house depends on the social class and the education level of the population, but there are many exceptions. In Vienna, if you walk on the streets, you see music stores almost at every corner. That is telling us something. In Germany or Austria, it is a normal thing for children to know how to play an instrument. A common practice for doctors, economists or lawyers is to meet at evening and play chamber music. At least, that was a normality in the 19th<\/sup> century, while in Moldova there were still no schools,\u201d<\/em> says Marcel.<\/p>\n

\"\"<\/p>\n

In Moldova, as Marcel states, the situation is totally different.<\/p>\n

\u201cIt’s hard to be a musician in Moldova. People do not know what this means. Many think it’s a game, or even worse – a waste of time. There is a big difference in the way people look at a young man who is carrying his violin in Chi\u0219in\u0103u and the way people do it in Vienna or Berlin.\u201d<\/p><\/blockquote>\n

\u201cCulture and education are strongly linked to each other, that is why we have a single ministry for them. A developed and strong society means educated and cultivated people. I read somewhere that to destroy a state, no attack is needed, it’s enough to destroy its schools. I think through education and culture, i.e. books, music, painting and theatre one can change the society<\/em>,\u201d Marcel says.<\/p>\n

Marcel claims that people of Moldova aren’t guilty of not having a high culture in music. \u201cPeople’s priority is, first of all, having food on their table, only afterwards they think of going to a concert or an exhibition.\u201d \u00a0<\/em>In the same time, Marcel expresses his hope for the future of music in Moldova. \u201cSurely, somewhere in a Moldovan village, there is a house where the volume is turned up when a classical music composition plays on the radio.\u201d<\/em><\/p>\n

\"\"<\/p>\n

About Moldo Crescendo<\/h3>\n

Moldo Crescendo is a music festival, a movement of a group of musicians that want to take music home, to Moldova. Their goal \u2013 to bring people closer to the universe of music. \u201cIn a century where speed, ephemeral things and noise have taken control, we want to bring eternal music and harmony into your lives,\u201d<\/strong> states the Patreon<\/a> page of Moldo Crescendo.<\/p>\n

\"\"<\/p>\n

Marcel was the one who brought together the musicians of Moldo Crescendo back in 2015. \u201cWe felt a desire to play music together at home, in Moldova. I think we have grown visibly from one edition to another.\u201d<\/em> Chamber music concerts, charity concerts, concerts organised on the street, on parking lots, in museums, in buildings of historical and cultural value for raising awareness about the importance of their renovation, symbiosis events with painters, artists, actors, photographers, are just some ideas they implemented or want to implement in the future.<\/p>\n

\"\"<\/p>\n

\u201cI think the greatest success was this year’s edition of\u00a0 the festival, when we reached 10 major cities on both sides of the Prut. It was really an experiment and a resistance test. Unusual, for me, was the concert in Sibiu. In a former European Capital of Culture, the hall was almost empty, and we were able to focus so much, as if we had played for thousands of people. Beautiful feeling.\u201d<\/p><\/blockquote>\n

\"\"<\/p>\n

Marcel and his friends try to remain optimistic: \u201cI noticed a different attitude towards music. From our concerts in 2012 to those organised in 2018, people started to understand and enjoy music. That is making us happy.\u201d<\/em> However, he can\u2019t look at the world through rose-coloured glasses. \u201cWe have made great efforts to convince people to donate for our cause. We spent hundreds of hours of conversation and explanation. I have made many friends, many have listened and understood me. Some of them helped us. Others have distanced themselves from us. Fighting ignorance and indifference is not so easy. There is a great distance from talks to actions. It’s painful. That’s why we decided to not try to persuade people anymore. We play music. Whoever has ears to hear, will listen to us,\u201d<\/strong> reflects Marcel.<\/p>\n

Their Patreon<\/a> account displays today only 15 patrons that donate a total sum of $130 monthly \u2013 a tiny amount that is planned to be invested in a website for Moldo Crescendo. But there are still so many unrealized ideas\u2026<\/p>\n\n

\"\"<\/p>\n

Another challenge they have been facing from the very beginning is the lack of an organizational team. \u201cWe have always succeeded in motivating some friends to get involved in the organisational process. Organizing a festival, however, is a full-time job, requiring high commitment, especially in Moldova, where one has to convince people, companies, organizations to donate money for classical music concerts.\u201d<\/em> They still need people in their organisational team and ask for help here as well: \u201cIf you are willing to get involved in the organizational process of the Moldo Crescendo festivals, you are more than welcome.\u201d<\/em><\/p>\n

\"\"<\/p>\n

Moldo Crescendo is apolitical. That means one less source of raising more money in Moldova. \u201cMany people do not see a problem as an artist playing today on a red stage and tomorrow on a blue one. I do not know if someone has a different attitude towards us because we are trying to be apolitical.\u201d<\/em><\/p>\n

Marcel lives in Bucharest. He still visits Moldova for concerts. However, he says he doesn\u2019t know when the next occasion to come home will be, as he is working on his dissertation at the moment.<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Reading Time: <\/span> 6<\/span> minutes<\/span><\/span>Marcel Laz\u0103r is a talented musician, a romantic soul and a tenacious person that is continuously seeking for development. He never chose the easiest way, in fact, there is no easy way when making music, as he affirms. About growing up with music Marcel has been playing piano since the age of 7, when his […]<\/p>\n","protected":false},"author":31,"featured_media":446831,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[38,2,23,4,56],"tags":[140,35,251,250,27,236,94],"class_list":["post-446820","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","category-diaspora-en","category-featured","category-society","category-reportaje","tag-diaspora","tag-important","tag-marcel-lazar","tag-moldo-crescendo","tag-moldova","tag-music","tag-stories"],"content_social_share":"Reading Time: <\/span> 6<\/span> minutes<\/span><\/span>

Marcel Laz\u0103r is a talented musician, a romantic soul and a tenacious person that is continuously seeking for development. He never chose the easiest way, in fact, there is no easy way when making music, as he affirms.<\/p>\n

About growing up with music<\/h3>\n

Marcel has been playing piano since the age of 7, when his first piano was bought by his parents. Then, he decided to take music seriously and, at the age of 13, he went to the School of Music \u201cCiprian Porumbescu\u201d in Chi\u0219in\u0103u, Moldova. Afterwards, he studied at the Academy of Music \u201cGheorghe Dima\u201d from Cluj-Napoca, Romania, and at the University of Music and Dramatic Arts Mozarteum in Salzburg, Austria. Marcel sees it as a journey: \u201cFrom one step to another you get deeper into studying music and infiltrate more into its philosophy. Music is such a mystical and subjective art. The more musicians I meet and more ideas and opinions I hear, the more questions I ask myself, for which, in the end, I hope to get an answer<\/em>.\u201d<\/p>\n

\"\"<\/p>\n

Marcel thinks that music has no borders. It is a universal language used and understood by any individual in this world. \u201cIt is said that every second, somewhere in the world a Mozart composition is played. Even tribes in Africa make music. It is different from that in the Western world, but it is certainly music as well.\u201d<\/em><\/p>\n

About being a musician in Moldova<\/h3>\n

Our protagonist says there is a long path from Vienna to Chi\u0219in\u0103u and he doesn\u2019t refer to the geographical distance. \u201cI think the music listened to in every house depends on the social class and the education level of the population, but there are many exceptions. In Vienna, if you walk on the streets, you see music stores almost at every corner. That is telling us something. In Germany or Austria, it is a normal thing for children to know how to play an instrument. A common practice for doctors, economists or lawyers is to meet at evening and play chamber music. At least, that was a normality in the 19th<\/sup> century, while in Moldova there were still no schools,\u201d<\/em> says Marcel.<\/p>\n

\"\"<\/p>\n

In Moldova, as Marcel states, the situation is totally different.<\/p>\n

\u201cIt’s hard to be a musician in Moldova. People do not know what this means. Many think it’s a game, or even worse – a waste of time. There is a big difference in the way people look at a young man who is carrying his violin in Chi\u0219in\u0103u and the way people do it in Vienna or Berlin.\u201d<\/p><\/blockquote>\n

\u201cCulture and education are strongly linked to each other, that is why we have a single ministry for them. A developed and strong society means educated and cultivated people. I read somewhere that to destroy a state, no attack is needed, it’s enough to destroy its schools. I think through education and culture, i.e. books, music, painting and theatre one can change the society<\/em>,\u201d Marcel says.<\/p>\n

Marcel claims that people of Moldova aren’t guilty of not having a high culture in music. \u201cPeople’s priority is, first of all, having food on their table, only afterwards they think of going to a concert or an exhibition.\u201d \u00a0<\/em>In the same time, Marcel expresses his hope for the future of music in Moldova. \u201cSurely, somewhere in a Moldovan village, there is a house where the volume is turned up when a classical music composition plays on the radio.\u201d<\/em><\/p>\n

\"\"<\/p>\n

About Moldo Crescendo<\/h3>\n

Moldo Crescendo is a music festival, a movement of a group of musicians that want to take music home, to Moldova. Their goal \u2013 to bring people closer to the universe of music. \u201cIn a century where speed, ephemeral things and noise have taken control, we want to bring eternal music and harmony into your lives,\u201d<\/strong> states the Patreon<\/a> page of Moldo Crescendo.<\/p>\n

\"\"<\/p>\n

Marcel was the one who brought together the musicians of Moldo Crescendo back in 2015. \u201cWe felt a desire to play music together at home, in Moldova. I think we have grown visibly from one edition to another.\u201d<\/em> Chamber music concerts, charity concerts, concerts organised on the street, on parking lots, in museums, in buildings of historical and cultural value for raising awareness about the importance of their renovation, symbiosis events with painters, artists, actors, photographers, are just some ideas they implemented or want to implement in the future.<\/p>\n

\"\"<\/p>\n

\u201cI think the greatest success was this year’s edition of\u00a0 the festival, when we reached 10 major cities on both sides of the Prut. It was really an experiment and a resistance test. Unusual, for me, was the concert in Sibiu. In a former European Capital of Culture, the hall was almost empty, and we were able to focus so much, as if we had played for thousands of people. Beautiful feeling.\u201d<\/p><\/blockquote>\n

\"\"<\/p>\n

Marcel and his friends try to remain optimistic: \u201cI noticed a different attitude towards music. From our concerts in 2012 to those organised in 2018, people started to understand and enjoy music. That is making us happy.\u201d<\/em> However, he can\u2019t look at the world through rose-coloured glasses. \u201cWe have made great efforts to convince people to donate for our cause. We spent hundreds of hours of conversation and explanation. I have made many friends, many have listened and understood me. Some of them helped us. Others have distanced themselves from us. Fighting ignorance and indifference is not so easy. There is a great distance from talks to actions. It’s painful. That’s why we decided to not try to persuade people anymore. We play music. Whoever has ears to hear, will listen to us,\u201d<\/strong> reflects Marcel.<\/p>\n

Their Patreon<\/a> account displays today only 15 patrons that donate a total sum of $130 monthly \u2013 a tiny amount that is planned to be invested in a website for Moldo Crescendo. But there are still so many unrealized ideas\u2026<\/p>\n\n

\"\"<\/p>\n

Another challenge they have been facing from the very beginning is the lack of an organizational team. \u201cWe have always succeeded in motivating some friends to get involved in the organisational process. Organizing a festival, however, is a full-time job, requiring high commitment, especially in Moldova, where one has to convince people, companies, organizations to donate money for classical music concerts.\u201d<\/em> They still need people in their organisational team and ask for help here as well: \u201cIf you are willing to get involved in the organizational process of the Moldo Crescendo festivals, you are more than welcome.\u201d<\/em><\/p>\n

\"\"<\/p>\n

Moldo Crescendo is apolitical. That means one less source of raising more money in Moldova. \u201cMany people do not see a problem as an artist playing today on a red stage and tomorrow on a blue one. I do not know if someone has a different attitude towards us because we are trying to be apolitical.\u201d<\/em><\/p>\n

Marcel lives in Bucharest. He still visits Moldova for concerts. However, he says he doesn\u2019t know when the next occasion to come home will be, as he is working on his dissertation at the moment.<\/a><\/p>\n

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